The Covid McGuffin
The brilliant director Alfred Hitchcock often used the term “McGuffin” to describe one of his favorite plot devices—an object or event that set the plot in motion, while essentially inconsequential in itself. The ultimate example of this phenomenon is the Maltese Falcon from the beloved Hitchcock film of that name. In the movie, a group of suspicious characters will stop at nothing in their pursuit of a black statuette of a falcon. Why? Because underneath its dark enamel exterior lay a solid gold falcon encrusted with priceless gems—or so they thought.
Spoiler alert: they never find the Maltese Falcon—it was simply a catalyst for a terrific film, and no one ever pulled off a McGuffin plot better than Hitch. That is, until now. For the powers-that-be have trumped not only the famous director, but also America herself, and quite possibly, the world at large.
How, you ask? By exploiting their own McGuffin: a microscopic virus.
This was brilliant on at least two counts: first because no one can see the virus—though they made sure we were inundated with artists’ colorful renditions on websites and publications galore; and second, because the so-called “elites”—the New World Order/Great Reset billionaire globalist cabal and friends—control our media, as well as much of the world’s media, so guess who got to tell the story?
THE PANDEMIC’S DEBUT PERFORMANCE
In fact, they even had a rehearsal, known as Event 201! And if that’s not galling enough, they gave the invitees souvenir plush coronavirus toys complete with little rounded “spikes” as party favors! Seems they couldn’t wait to celebrate their psy-op that would pave the way to their utopian One World Government by destroying First World economies.
And who were the sponsors of Event 201, you ask?
Article from LewRockwell